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・ Lambertian reflectance
・ Lambertianin C
・ Lambertianin D
・ Lamberticeras
・ Lambertini
・ Lambertiodes
・ Lambertiodes harmonia
・ Lambertiodes multipunctata
・ Lamberto
・ Lamberto Alvarez
・ Lamberto Andreotti
・ Lamberto Antonio
・ Lamberto Bava
・ Lamberto Bergamini
・ Lamberto Boranga
Lamberto Caimi
・ Lamberto Cesari
・ Lamberto Ceserani
・ Lamberto Cristiano Gori
・ Lamberto da Cingoli
・ Lamberto Dalla Costa
・ Lamberto Dini
・ Lamberto Díaz Nieblas
・ Lamberto Gama
・ Lamberto Gardelli
・ Lamberto I da Polenta
・ Lamberto II da Polenta
・ Lamberto Landi
・ Lamberto Leonardi
・ Lamberto Leoni


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Lamberto Caimi : ウィキペディア英語版
Lamberto Caimi

Lamberto Caimi (born 30 October 1930) is an Italian cinematographer.
Born in Milan, Caimi began his career in the field of documentary filmmaking industry; in 1955 he joined the film department of the company Edison, where he met Ermanno Olmi, for which he was the cinematographer in some dozens of short documentary films shot between the second half of the fifties and the early sixties.〔Stefano Masi. ''Dizionario mondiale dei direttori della fotografia''. Recco, Le Mani, 2007, p. 139. ISBN 8880123874.〕 In 1961 he signed the cinematography of the first real feature film of Olmi, ''Il Posto'', for which he realized "a rough and essential black and white",〔Paolo Mereghetti. ''Il Mereghetti - Dizionario dei Film 2008''. Baldini Castoldi Dalai editore, 2007, p. 1906. ISBN 9788860731869.〕 which was paired by critics to the Nouvelle Vague style.〔
During his career Laimi worked to films of different genres, often united from having Milan as set, including Eriprando Visconti's film debut ''A Milanese Story'', Duccio Tessari's noir film ''La morte risale a ieri sera'', Umberto Lenzi's poliziottesco ''Gang War in Milan'', Carlo Lizzani's ''Storie di vita e malavita'' and Renato Pozzetto's directorial debut ''Saxofone''.〔 He also collaborated several times with Alberto Lattuada.〔
== References ==


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